Lauter – The Age Of Reason 2xCD

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“When Boris walks in forest in the area of Strasbourg, it is able to him often to be lost. Then it stops a few times to find again its way: it lengthens, the head in snow, or it is suspended with a tree, the head in bottom, thus hoping to remember in which direction it must go.

Made Boris of the music also, under the name of Lauter. And it is able to him also to be lost when it makes music. It does not know any more which type of music it plays, then it tests all the styles, while hoping to have the catch when it plays its style of predilection.
And when it records an album, whereas it is always with its research, that gives off The Age Reason, a double album of more than twenty titles which sweeps all the styles, while going of the folk more stripped with the most energetic rock'n'roll.

After the splendid entry as regards In Our Heads, title country/folk melancholic person with the banjo which is illuminated on the end with the lapsteel and the cymbals, Lauter passes directly to a rock'n'roll blues/psychedelic (Because off the Drugs, very is explained!). One will also find with the inventory a rhythmic gross and large guitars in Liars on Her Ladyship, of the very effective rock'n'roll with a intro pointing out terribly Lou Reed (I Go It Alone), or of the folk/jazz with the saxophone of Freedom is Terror, length titrates crossed electric flashes.

You will suspect it, my preference goes clearly to the titles more folk, and I am spoiled enough on this side. The Next Step, with the voice darker than on the other titles, makes think of Bonnie “Prince” Billy, finally not that of the last album fortunately. I am also charmed on the end of first CD, with initially the sequence The Old Order/We' Re Moving In/Ditty, then the last Distance title, more than nine minutes with Juste the dry guitar at the beginning then over the three last minutes an explosion of synthés and battery, and finally superb Mother & Its with banjo and clarinet on second CD (banjo and winds, that points out somebody to me and thus inevitably I adore!).

I would not make you a description titrates by title, because there is too much of it and that they would be a little hard. With twenty and one titles and more than 100 minutes, Lauter has courage to leave a double album as of its third effort. A double album of high behaviour, which one will be able to reproach only one small effect of lassitude on the last 3/4 titles, but where each one should largely find what to satisfy its ears.” – The Man Of Rennes Steals Our Hearts