Midget Farmers "America's Place To Waste Your Life" cassette

Midget Farmers "America's Place To Waste Your Life" cassette

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Midget Farmers Complete Recordings

Midget Farmers "America's Place To Waste Your Life" cassette

"The executives at Mental Fist Records (i.e. Matt Mauldin and Jeff J. Jawk) wanted us to do an LP, but we decided on a tape instead. It was hard enough getting people to buy the 7", even back in 1992 people didn't really understand it. Tapes were what high school kids listened to. The title comes from Waffle House's motto: America's Place to Eat, America's Place to Work. At the time, all of the high school kids were really into spending huge amount of time at the Waffle House, mainly drinking coffee. I'm sure this has transitioned to the Starbucks by now. We had a general disgust for these people, and pretty much anyone in general, so the America's Place to Waste Your Life was an ode to this practice. Anyhow, My Les Paul is actually written by Danny Bloodspoon, who used to play shows with us without ever practicing or learning the songs. He was actually not too bad at it either, since he could just watch Chad and follow along without missing a beat. This is the debut of the A-Team Theme, which I believe came out pretty well (especially the samples). On My Life in 20 Seconds, you can hear Jeff J. Jawk screaming for Money and Pussy, which was another early song of ours, but never made it onto a proper release. We actually recorded it in the garage of a guy named Ross Mann, and sent it to Creative Loafing to be on their music menu. You could call up a hotline and hear the song over the telephone to hear what MF sounded like. I think we were the first band to submit a song, so our number was something like 1111 on the hotline. Light Up is about Ross Mann, but also a homage to Stand Up by Minor Threat from the Flex Your Head compilation. The Fall of the Memphis was about this Memphis guitar that we stole from Jim Huffman's brother, and Chad played it for a song at the Wreck Room on the outside stage that was a beach, and threw the guitar into the crowd and into the beach sand. The guitar was completely destroyed, but it was a fun show. Of course we still had the 2-bass lineup at that point, if you look at the band drawings by Ian Maisel, and it was recorded at the same studio as the first 7" by Jim Ebersole somewhere in the Dunwoody area off Peachtree Industrial." - James Joyce