Radiopuhelimet ‎– Ei Kenenkään Maa CD

Radiopuhelimet ‎– Ei Kenenkään Maa CD

"Radiopuhelimet is a rare band because even if it broadens its sound in one direction or another, the end result would still be the Radiopuhelimet album. J. A. Mäki always sounds just to himself, and the playing always has the same northern devilishness. The 27-year-old Oulu band has taken more acoustic landscapes as the theme for their 13th album, which does not mean, however, that they will not hear that familiar Radiopuhelimet roar. For example, He changes everything is certainly as skimpy as the speed rallies of more electronic records, being, of course, lighter in sound and more gracefully grinning. A bit of the same is also true of Tommi's porn magazines in the album's opening gossipy but melodic hook. Still - The fascinating intensity of the phones actually rises even stronger when the average volume is lowered and the pace is sometimes curbed ...

Both springs and fans have been included, which spices the package perfectly. Perhaps the hottest spice is provided by the melody. The core is still not lost, but the familiar Radiotelephones rollover is still involved - sometimes stronger on the surface, sometimes below the surface. The album's title track No one's land with its horn spices and stems gallops in a nice simplistic way. At least the deviation from the Phones formula that has become characteristic of itself is the one in the album's song table that makes you hear the most hearing bones. Of course, heartbreaking word choices and story themes work equally well. Rarely, for example, has anyone devoted nearly seven minutes as intense to screaming, making and "enjoying it" as Phones to Screaming. After that, the positively paranoia whispers into the star moments of the album, hanging hilariously with a crazy gloss in his eyes. The gentlemen also know how to mix without cracking and relaxed.

In the party house, it could even sound like folk pop without the lurking undertone characteristic of Radiopuhelim and a message comparing Mäki's words and cream to memory. Shamanistic Closing Track The night when it was completed to gasp magnificently as the campfire faded to the end of a handsome album, skilfully drawing on Jolly Jumpers-like prairie psychedelia with its harmonicas. No hut shots, but many songs still rely on hypnotic flooding too, when other routes seem to get there as well and the scenery is more interesting then. Good broadening of the formula combined with familiar strengths." - Ilkka Valpasvuo